The Misanthropic Epic Adventures of Razorboy and Scissor Girl

I was rereading parts of the epic Anglo-Saxon poem Beowulf and then this happened (mature language):

The Misanthropic Epic Adventures of Razorboy and Scissor Girl (Issue #001 of #001)

I’m going to tell you a story about a boy,
Who lived in his mother’s attic and never felt joy,
His short and messy hair was as black as his soul,
He wore black ‘cause the darkness was all he’d ever know.
     In Meteor City the police had gone on strike,
     And the law and Lady Justice both took a hike,
     When a group called LoVE rose to prominence,
     They were the “League of Villainous Extremists.”
The whole city would’ve fallen were it not for the heroic few,
The elite, devoted members of the H-a-T-E crew.
They fought evil in the park, downtown and in the shopping mall,
They were well known as the “Heroes against The Evil” to all.
     During one hot summer day in the thick of June,
     Our hero was walking when he heard a great kaboom.
     The good guys and the bad guys were fighting so rough,
     Our hero never thought he’d ever be able to get enough.
He watched, all clad in black, as they battled in the street
When he laid his eyes upon the prettiest girl he’d ever seen.
She wore sunglasses and a dress all cut up and covered with blood,
As soon as he saw her he knew he’d fallen in love.
     In the newspaper later he learned who she was,
     Her name was Scissor Girl and that was because
     She kept five scissors in each of her delicate hands,
     Which she used to cut hearts out of her enemies’ skins.
She was a member of LoVE and somehow he had to find her
Our brave hero determined to enlist so he could fight beside her
So he made a long list of all the goth clubs and parties
Where someone as hip as her might hang out on Fridays.
     Then that Friday finally came and he’d hit the bottom of his list.
     This last wicked location, they called it the Devil’s Pit.
     The drug-fueled music was a-thumping and the lights were dim,
     And he only got in because he looked like a member of H.I.M.
She was sitting at the bar, talking to some cute guys,
Who were buying her mixed drinks and staring at her eyes,
She wore sunglasses of course just like she’d worn before,
He looked at her once and then he looked back at the door.
     He thought, “She’s out of my league, there’s just no way,
     Even if I approached her I wouldn’t know what to say.
     Besides, it seems like she’s interested in those dudes,
     If I tried to talk to her now I’d only come off as rude.
“Back to the dark attic I’ll go, where I belong,
I should’ve never bothered, I always do things wrong,
And now I’m feeling worse than I’ve ever felt before,
I will try not to think of Scissor Girl anymore.”
     As he turned to bail he thought he saw something odd,
     Scissor Girl looked tired, her head was starting to nod,
     The guys she was with grinned and looked at each other
     It was clear that they had nothing but terrible plans for her.
The taller of the two took her under his great big arms,
If our hero didn’t think fast Scissor Girl might come to harm,
So he followed the evil duo as they carried her body away,
To a dark, pulsing room hidden in the back of the place.
     They threw her on the bed and tried to lift up her skirt,
     When our hero stepped in brandishing a straight razor,
     The two men looked surprised but then they both laughed,
     They were bigger and stronger and could kick our hero’s ass.
Until our silly little hero turned the razor against his wrists,
To which the first scumbag smiled and said, “Do it, like I give a shit,”
And then our hero replied, “You want my blood in your face?
Look at me, I’m sick, and if I bleed I’ll infect this whole place.”
     “You’re bluffing you little faggot and I’ll beat your ass to death,
     And then I’ll rape this bitch while you sit there in a bloody mess.”
     “This one’s mine, watch, I’ll make him regret it,” the other said,
     “You’re out of your league, you’re just a little faggot kid.”
Our hero then looked at the girl as she lay unconscious on the bed,
All pretty and with a white dress all cut up and covered in red.
He pressed the razor hard and started to open a vein,
The douche bags started to wonder if this kid was insane.
     The blood started to flow and our hero bravely said,
     “You asked for this you bastards, now you’ll all be dead.
     The sickness in my veins is a contagious and wicked threat.
     You’ve got only seconds to leave before you’re both infected.”
The men looked at each other and they heard the kid’s voice.
He wasn’t joking, it seemed, he didn’t leave them with a choice,
They both bolted for the door, screaming, “This kid’s a damn loon!
Someone call the CDC and quickly quarantine that room!”
     Alone now with Scissor Girl our hero put away his blade,
     He smiled at her and wondered when she would awake.
     He kneeled beside the bed and thought about giving her a kiss,
     But if he took any advantage he’d be no better than those dicks.
He looked around the room and found a little closet
And out of that little closet he took a little blue blanket
Which he placed over this girl with whom he’d already fallen in love,
And then he laid on the floor to rest while he waited for her to wake up.
     It was a couple hours later when he woke from his nightmares,
     And Scissor Girl stood above him with a giant pair of scissors,
     She said, “You didn’t have to do that, I had it all under control.
     I only needed another minute, then I’d have slaughtered those assholes.
“Who even are you?” she said, “I’ve never seen you before.”
“My name is Jeremy,” he said, “and you’re who I was looking for.”
“Well, you found me,” she said, “now what the hell do you want?”
“I want to join you in LoVE,” he said, “and give criminality a shot.”
     “You want to join me in LoVE?” she asked, “But I don’t do partnerships.
     Besides, what kind of a name is Jeremy? You need something more hip.
     How about we call you Razorboy, since you seem to like to bleed?
     Since you helped me out back there, I guess I’ll help you join the team.”
“But I want to be your partner,” he said, “It’s like my biggest dream.
Ever since I saw you fighting the other day. See, I’m stronger than I seem.
I’m not very experienced in crime but the darkness is my whole life,
I’ve never known anything but violence, self-infliction and strife.”
     She put the scissors to his neck and said, “Then look into my eyes.”
     She removed her sunglasses and revealed her big surprise.
     Instead of two eyes she’d been hiding two black hollow holes,
     Where eyes had once been until she’d cut out them both.
“Look into my eyes,” she said, “and tell me what Razorboy sees.”
“I see the most beautiful girl,” he said, “that’s ever looked at me.”
“You’re a sweet kid,” she said, “maybe too sweet for a life of crime.
But I’ll take you under my wing anyway and show you a good time.”

END OF ISSUE #01

“Someplace Warmer”

I remembered this terrible short-form artsy French film I produced four years ago called “Someplace Warmer,” about a skeleton dude that looks like Jack Skellington who ventures out to rescue a princess from her captors. It’s so, so very lame, and I made it entirely with Microsoft Paint in about four hours. Music by Nobuo Uematsu.

I’ve no shame.

“We Can’t Be Cool”

One of the few attempts I’ve ever made at writing something comical, “We Can’t Be Cool” is about a pastor at a Baptist church who has a run-in with a few vampires who wish to join his congregation. This is yet another story I wrote during university, which is when I was at my most prolific and still wasn’t very prolific.

Every Sunday morning, the congregants at Essence Baptist Church shuffled down the pews into positions they’d long since appropriated for themselves. Families sat a certain distance apart, their personal spaces established by arm’s length. Each congregant used the same hymnal every Sunday, and the three McBride sisters always sat in the front pew because they’re hard of hearing. And every Sunday morning, Pastor Glick stood before his congregation and discussed a particular aspect of the Bible that elicited from them smiles and nods and amens and the occasional emotional outburst. Nobody had yet to speak in tongues but he had the video camera ready for just such an event.

Click to read “We Can’t Be Cool.”

James Bond Playlist

What follows is a playlist of primary, secondary, alternate, and unused theme songs created over the 50 year course of James Bond’s cinematic history. Enjoy your time travel. (Covers not included.)

Dr. No (1962)
     Score by Monty Norman
“James Bond Theme”
“Kingston Calypso”
“Jump Up”
“Underneath the Mango Tree” by Diana Coupland

From Russia with Love (1963)
     Score by John Barry
“James Bond Is Back”
“From Russia with Love” by Matt Monro

Goldfinger (1964)
     Score by John Barry
“Goldfinger” by Shirley Bassey

Thunderball (1965)
     Score by John Barry
“Thunderball” by Tom Jones
“Mr. Kiss Kiss Bang Bang” by Dionne Warwick (unused)
“Thunderball” by Johnny Cash (unused)

You Only Live Twice (1967)
     Score by John Barry
“You Only Live Twice” by Nancy Sinatra
“You Only Live Twice” by Julie Rogers (unused)

Casino Royale (1967 non-EON film)
     Score by Burt Bacharach
“Casino Royale” by Herb Alpert and the Tijuana Brass
“The Look of Love” by Dusty Springfield

On Her Majesty’s Secret Service (1969)
     Score by John Barry
“On Her Majesty’s Secret Service”
“We Have All the Time in the World” by Louis Armstrong
“Do You Know How Christmas Trees Are Grown?” by Nina
“Savez-vous ce qu’il faut au sapin de Noël?” by Isabelle Aubret (French)
“Wovon träumt ein Weihnachtsbaum im Mai?” by Katja Ebstein (German)

Diamonds Are Forever (1971)
     Score by John Barry
“Diamonds Are Forever” by Shirley Bassey

Live and Let Die (1973)
     Score by George Martin
“Live and Let Die” by Paul McCartney

The Man with the Golden Gun (1974)
     Score by John Barry
“The Man with the Golden Gun” by Lulu
“The Man with the Golden Gun” by Alice Cooper (unused)

The Spy Who Loved Me (1977)
     Score by Marvin Hamlisch
“Nobody Does It Better” by Carly Simon

Moonraker (1979)
     Score by John Barry
“Moonraker” by Shirley Bassey

For Your Eyes Only (1981)
     Score by Bill Conti
“For Your Eyes Only” by Sheena Easton
“Make It Last All Night” by Rage (secondary)
“For Your Eyes Only” by Blondie (unused)

Octopussy (1983)
     Score by John Barry
“All Time High” by Rita Coolidge

Never Say Never Again (1983 non-EON film)
     Score by Michel Legrand
“Never Say Never Again” by Lani Hall
“Une Chanson d’Amour” by Sophie Della (secondary)
“Never Say Never Again” by Phyllis Hyman (unused)

A View to a Kill (1985)
     Score by John Barry
“A View to a Kill” by Duran Duran
“California Girls” by Gidea Park

The Living Daylights (1987)
     Score by John Barry
“The Living Daylights” by A-ha
“Where Has Everybody Gone?” by The Pretenders
“If There Was a Man” by Chrissie Hynde and The Pretenders
“The Living Daylights” by Pet Shop Boys (unused)

License to Kill (1989)
     Score by Michael Kamen
“License to Kill” by Gladys Knight
“If You Asked Me To” by Patti LaBelle
“Wedding Party” by Ivory

GoldenEye (1995)
     Score by Éric Serra
“GoldenEye” by Tina Turner
“The Experience of Love” by Éric Serra
“Searcing for the GoldenEye” by Motiv 8 feat. Kym Mazelle
“Stand by Your Man” by Tammy Wynette

Tomorrow Never Dies (1997)
     Score by David Arnold
“Tomorrow Never Dies” by Sheryl Crow
“Surrender” by k.d. lang
“James Bond Theme” by Moby
“It Had to Be You” by Priscilla Lane
“Tomorrow Never Lies” by Pulp (unused)
“Tomorrow Never Dies” by Saint Etienne (unused)
“Tomorrow Never Dies” by Swan Lee (unused)

The World Is Not Enough (1999)
     Score by David Arnold
“The World Is Not Enough” by Garbage
“Only Myself to Blame” by Scott Walker (unused)
“James Bond Theme” by David Arnold
“Sweetest Coma Again” by LUNA SEA (Japanese)

Die Another Day (2002)
     Score by David Arnold
“Die Another Day” by Madonna
“London Calling” by The Clash
“James Bond Theme (Bond vs. Oakenfold)” by Paul Oakenfold

Nightfire (2002 video game)
     Score by Ed Lima and Jeff Tymoschuk
“Nearly Civilized” by Esthero

Everything or Nothing (2004 video game)
     Score by Sean Callery and Jeff Tymoschuk
“Everything or Nothing” by Mýa

GoldenEye: Rogue Againt (2004 video game)
     Score by Paul Oakenfold
“If You’re Gonna…” by Natasha Bedingfield

Casino Royale (2006)
     Score by David Arnold
“You Know My Name” by Chris Cornell

Quantum of Solace (2008)
     Score by David Arnold
“Another Way to Die” by Jack White and Alicia Keys
“Forever – I Am All Yours” by Eva Almér (unused)

Quantum of Solace (2008 video game)
     Score by Christopher Lennertz
“When Nobody Loves You” by Kerli

Blood Stone (2010 video game)
     Score by Richard Jacques
“I’ll Take It All” by Joss Stone

GoldenEye 007 (2010 video game)
     Score by David Arnold and Kevin Kiner
“GoldenEye” by Nicole Scherzinger

Skyfall (2012)
     Score by Thomas Newman
“Skyfall” by Adele